Eventually, we discovered that it was best to sit up straight and almost lean forward a little bit. 4DX, however, is incredibly disorienting if you sit that way - you feel at the mercy of the chair, which can go side to side, up and down, and forward and backward.
Most viewers tend to lean back in their seats.
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You may have to relearn how to watch a movie You’re being kicked around and assaulted in sequences that were practically intolerable in two or three dimensions, much less “four.” However, as the film starts to pick up steam near the end as Paul competes in the dangerous De Leon race, the 4DX adds some adrenaline to the experience. Need for Speed is not a great movie per se, and the bad action scenes are incredibly irritating in 4DX. You can’t just let the movie happen to you the chair demands that you be engaged in an active way with what’s happening on the screen…. There’s no escape you’re part of the film.ĤDX really forces an active viewer experienceĪfter viewing a fully 4DX-enhanced feature, we found ourselves feeling more tired but also more wound up than after a regular night out at the movies. From there, the motion of your chair mimics every turn of the racers’ steering wheels. Need for Speed‘s first major action sequence - an illegal nighttime drag race - kicks off with a foot slamming down on a gas pedal, and just then your chair lurches back, creating the sensation that you’re in the car. It’s incredibly jarring to be in a seat that jerks around Here are 8 takeaways from the experience:
We were curious how the high-octane/low-IQ movie would work with a 4DX upgrade.
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journalists have only participated in brief 4DX demos, but Rolling Stone was given the opportunity to test-drive a full feature - thus it’s appropriate that our film was a 4D-enhanced version of Need for Speed, the car-crazy Aaron Paul action-thriller. It’s not a kid in a projector room pushing everything’s synched with the data of the film, and so it’s much more tightly integrated.” Even the digitalization of films itself is partly what makes this possible because it’s so highly synchronized. But over time, moviegoing and moviemaking have changed so much. audience does have a slightly more puritan ethos: They want their movie the way they’ve always wanted their movie. Speaking in the 4DX offices, surrounded by posters for films like Divergent and Man of Steel that have screened in 4DX overseas, she says, “The U.S. Killoren recognizes that there’s skepticism in the States because of past theater gimmicks like Sensurround and Smell-O-Vision. Orgasm 'Students' Sue Netflix to Block Release of OneTaste Documentary
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